Browse Titles - 36929 results
The 3 Tenors: Birth of a Legend
(Berlin, Berlin State: C Major Entertainment, 2015), 1 hour 15 mins
Excitement after a spectacular open-air concert. At the 1990 Football World Cup, the three tenors, José Carreras, Plácido Domingo and Luciano Pavarotti met the first time together with the conductor Zubin Mehta for an extraordinary musical experience. Six thousand excited live viewers and one billion watching on...
Sample
(Berlin, Berlin State: C Major Entertainment, 2015), 1 hour 15 mins
Description
Excitement after a spectacular open-air concert. At the 1990 Football World Cup, the three tenors, José Carreras, Plácido Domingo and Luciano Pavarotti met the first time together with the conductor Zubin Mehta for an extraordinary musical experience. Six thousand excited live viewers and one billion watching on television. The beginning of a new era of classical music. In the following years, the 3 Tenors held audiences around the world under...
Excitement after a spectacular open-air concert. At the 1990 Football World Cup, the three tenors, José Carreras, Plácido Domingo and Luciano Pavarotti met the first time together with the conductor Zubin Mehta for an extraordinary musical experience. Six thousand excited live viewers and one billion watching on television. The beginning of a new era of classical music. In the following years, the 3 Tenors held audiences around the world under their spell in over thirty performances. They helped to bring about an unexpected flourishing of classical music. The concert in the Caracalla Baths of Rome was the Birth of a Legend. The programme interweaves performance and background information, including previously unseen material.
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Field of Study
Classical Music
Content Type
Documentary
Date Published / Released
2015
Publisher
C Major Entertainment
Copyright Message
Copyright © 2015 by C Major Entertainment
×
The 3 Tenors - The Birth of a Legend
directed by Brian Large, 1939-; conducted by Zubin Mehta, 1936-; produced by Elmar Kruse, 2004-2009, Mario, Dradi, fl. 1999-2006 and Herbert Chappell, 1934-, Sounding Images; performed by Orchestra del Teatro dell'Opera di Roma and Orchestra del Maggio Musicale Fiorentino, in The 3 Tenors: Birth of a Legend (Berlin, Berlin State: C Major Entertainment, 2015), 1 hour 15 mins
Excitement after a spectacular open-air concert. At the 1990 Football World Cup, the three tenors, José Carreras, Plácido Domingo and Luciano Pavarotti met the first time together with the conductor Zubin Mehta for an extraordinary musical experience. Six thousand excited live viewers and one billion watching on...
Sample
directed by Brian Large, 1939-; conducted by Zubin Mehta, 1936-; produced by Elmar Kruse, 2004-2009, Mario, Dradi, fl. 1999-2006 and Herbert Chappell, 1934-, Sounding Images; performed by Orchestra del Teatro dell'Opera di Roma and Orchestra del Maggio Musicale Fiorentino, in The 3 Tenors: Birth of a Legend (Berlin, Berlin State: C Major Entertainment, 2015), 1 hour 15 mins
Description
Excitement after a spectacular open-air concert. At the 1990 Football World Cup, the three tenors, José Carreras, Plácido Domingo and Luciano Pavarotti met the first time together with the conductor Zubin Mehta for an extraordinary musical experience. Six thousand excited live viewers and one billion watching on television. The beginning of a new era of classical music. In the following years, the 3 Tenors held audiences around the world under...
Excitement after a spectacular open-air concert. At the 1990 Football World Cup, the three tenors, José Carreras, Plácido Domingo and Luciano Pavarotti met the first time together with the conductor Zubin Mehta for an extraordinary musical experience. Six thousand excited live viewers and one billion watching on television. The beginning of a new era of classical music. In the following years, the 3 Tenors held audiences around the world under their spell in over thirty performances. They helped to bring about an unexpected flourishing of classical music. The concert in the Caracalla Baths of Rome was the Birth of a Legend. The programme interweaves performance and background information, including previously unseen material.
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Date Written / Recorded
1990
Field of Study
Classical Music
Content Type
Documentary
Performer / Ensemble
Orchestra del Teatro dell'Opera di Roma, Orchestra del Maggio Musicale Fiorentino
Contributor
Zubin Mehta, 1936-, Elmar Kruse, 2004-2009, Mario, Dradi, fl. 1999-2006, Herbert Chappell, 1934-, Sounding Images
Author / Creator
Brian Large, 1939-, Orchestra del Teatro dell'Opera di Roma, Orchestra del Maggio Musicale Fiorentino
Date Published / Released
2015
Publisher
C Major Entertainment
Copyright Message
Copyright © 2015 by C Major Entertainment
×
4 Better, 4 Worse: The Anatomy of a String Quartet
directed by Reiner Moritz, 1938-; composed by Joseph Haydn, 1732-1809; produced by Reiner Moritz, 1938-; performed by Lindsay String Quartet, in Haydn String Quartets - The Lindsays (Opus Arte, 2005), 52 mins
This documentary features the Lindsay String Quartet and is about the history and importance of string quartets. Concert footage is excerpted.
Sample
directed by Reiner Moritz, 1938-; composed by Joseph Haydn, 1732-1809; produced by Reiner Moritz, 1938-; performed by Lindsay String Quartet, in Haydn String Quartets - The Lindsays (Opus Arte, 2005), 52 mins
Description
This documentary features the Lindsay String Quartet and is about the history and importance of string quartets. Concert footage is excerpted.
Field of Study
Classical Music
Content Type
Documentary
Performer / Ensemble
Lindsay String Quartet
Contributor
Reiner Moritz, 1938-
Author / Creator
Joseph Haydn, 1732-1809, Reiner Moritz, 1938-, Lindsay String Quartet
Date Published / Released
2005
Publisher
Opus Arte
Topic / Theme
Performance practice, Music history, Classical Music
Copyright Message
Copyright © 2011. Used by permission of Opus Arte.
×
The Adventurers of the Lost Mass
directed by Laurent Portes, fl. 2008; composed by Orazio Benevoli, 1605-1672, Claudio Monteverdi, 1567-1643 and Alessandro Striggio, 1536-1592; conducted by Hervé Niquet, 1957-; produced by Amélie Girard; performed by Le Concert Spirituel, in The Adventurers of the Lost Mass (Paris, Ile-de-France: Windrose (Film distributor), 2011), 52 mins
Hervé Niquet conducts the never-performed since baroque times 40-voice Mass by Alessandro Striggio. This monumental Mass, up to 60 voices for the finale, was lost and forgotten. Its harmonic sophistication remains unsurpassed. How could Alessandro Striggio achieve such a prowess? The rehearsals interviews wit...
Sample
directed by Laurent Portes, fl. 2008; composed by Orazio Benevoli, 1605-1672, Claudio Monteverdi, 1567-1643 and Alessandro Striggio, 1536-1592; conducted by Hervé Niquet, 1957-; produced by Amélie Girard; performed by Le Concert Spirituel, in The Adventurers of the Lost Mass (Paris, Ile-de-France: Windrose (Film distributor), 2011), 52 mins
Description
Hervé Niquet conducts the never-performed since baroque times 40-voice Mass by Alessandro Striggio. This monumental Mass, up to 60 voices for the finale, was lost and forgotten. Its harmonic sophistication remains unsurpassed. How could Alessandro Striggio achieve such a prowess? The rehearsals interviews with the jubilant Hervé Niquet and musicologists, the recalls of musical composition techniques of the Renaissance are as exceptional as...
Hervé Niquet conducts the never-performed since baroque times 40-voice Mass by Alessandro Striggio. This monumental Mass, up to 60 voices for the finale, was lost and forgotten. Its harmonic sophistication remains unsurpassed. How could Alessandro Striggio achieve such a prowess? The rehearsals interviews with the jubilant Hervé Niquet and musicologists, the recalls of musical composition techniques of the Renaissance are as exceptional as the piece itself.
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Field of Study
Classical Music
Content Type
Documentary
Performer / Ensemble
Le Concert Spirituel
Contributor
Hervé Niquet, 1957-, Amélie Girard
Author / Creator
Orazio Benevoli, 1605-1672, Claudio Monteverdi, 1567-1643, Alessandro Striggio, 1536-1592, Laurent Portes, fl. 2008, Le Concert Spirituel
Date Published / Released
2011
Publisher
Windrose (Film distributor)
Person Discussed
Alessandro Striggio, 1536-1592
Topic / Theme
Music composition
Copyright Message
Copyright © 2011. Used by permission of Windrose Distribution.
×
Alice: At Home with Alice Parker
directed by Eduardo Montes-Bradley, 1960-; produced by Soledad Liendo, fl. 2000-2017, Heritage Film Project; interview by Alice Parker, 1925- (Charlottesville, VA: Heritage Film Project, 2020), 31 mins
Alice Parker (b.1925), is a composer of choral music living in a small village in the Western mountains of Massachusetts. Her career that spans over seventy years initially having found prominence as Robert Shaw’s protégé and then as a choral composer with strong collaborators, such as Archibald McLeish and Eu...
Sample
directed by Eduardo Montes-Bradley, 1960-; produced by Soledad Liendo, fl. 2000-2017, Heritage Film Project; interview by Alice Parker, 1925- (Charlottesville, VA: Heritage Film Project, 2020), 31 mins
Description
Alice Parker (b.1925), is a composer of choral music living in a small village in the Western mountains of Massachusetts. Her career that spans over seventy years initially having found prominence as Robert Shaw’s protégé and then as a choral composer with strong collaborators, such as Archibald McLeish and Eudora Welty, or subjects whose strength lies in their emotional intensity or commitment to social justice, such as Emily Dickinson or Ma...
Alice Parker (b.1925), is a composer of choral music living in a small village in the Western mountains of Massachusetts. Her career that spans over seventy years initially having found prominence as Robert Shaw’s protégé and then as a choral composer with strong collaborators, such as Archibald McLeish and Eudora Welty, or subjects whose strength lies in their emotional intensity or commitment to social justice, such as Emily Dickinson or Martin Luther King. Alice’s musical reach is extensive and inclusive, from songs for children and church hymns to the cathedral and concert hall. In “Alice,” the documentary film, Alice Parker collaborates with Eduardo Montes-Bradley in a series of intimate conversations that illuminate her artistic achievements.
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Field of Study
Classical Music
Content Type
Documentary
Contributor
Soledad Liendo, fl. 2000-2017, Heritage Film Project
Author / Creator
Eduardo Montes-Bradley, 1960-, Alice Parker, 1925-
Date Published / Released
2020
Publisher
Heritage Film Project
Person Discussed
Eduardo Montes-Bradley, 1960-
Copyright Message
Copyright © 2020 Heritage Film Project, LLC
×
American Art Journal, ol. 77, no. 26, September 28, 1901, American Art Journal, Vol. 77, no. 26, September 28, 1901
edited by William M. Thoms, 1852-1913, in American Art Journal, ol. 77, no. 26, September 28, 1901 (New York, NY: Wm. M. Thoms & Co., 1901, originally published 1901), 20 page(s)
Watson’s Weekly Art Journal, New York City I-LXXXVII (1864-1905) ID#9001
Sample
edited by William M. Thoms, 1852-1913, in American Art Journal, ol. 77, no. 26, September 28, 1901 (New York, NY: Wm. M. Thoms & Co., 1901, originally published 1901), 20 page(s)
Description
Watson’s Weekly Art Journal, New York City I-LXXXVII (1864-1905) ID#9001
Field of Study
Classical Music
Content Type
Periodical issue
Contributor
William M. Thoms, 1852-1913
Date Published / Released
1901-09-28, 1901
Publisher
Wm. M. Thoms & Co.
Series
American Art Journal
×
American Art Journal, Vol. 1, no. 3, February 05, 1876
edited by Henry Cood Watson, 1816-1875, in American Art Journal, Vol. 1, no. 3, February 05, 1876 (New York, NY: Privately Published, 1876), 12 page(s)
Sample
edited by Henry Cood Watson, 1816-1875, in American Art Journal, Vol. 1, no. 3, February 05, 1876 (New York, NY: Privately Published, 1876), 12 page(s)
Field of Study
Classical Music
Content Type
Periodical issue
Contributor
Henry Cood Watson, 1816-1875
Date Published / Released
1876-02-05, 1876
Publisher
Privately Published
Series
American Art Journal
×
American Art Journal, Vol. 1, no. 4, February 12, 1876
edited by Henry Cood Watson, 1816-1875, in American Art Journal, Vol. 1, no. 4, February 12, 1876 (New York, NY: Privately Published, 1876), 12 page(s)
Sample
edited by Henry Cood Watson, 1816-1875, in American Art Journal, Vol. 1, no. 4, February 12, 1876 (New York, NY: Privately Published, 1876), 12 page(s)
Field of Study
Classical Music
Content Type
Periodical issue
Contributor
Henry Cood Watson, 1816-1875
Date Published / Released
1876-02-12, 1876
Publisher
Privately Published
Series
American Art Journal
×
American Art Journal, Vol. 1, no. 5, February 19, 1876
edited by Henry Cood Watson, 1816-1875, in American Art Journal, Vol. 1, no. 5, February 19, 1876 (New York, NY: Privately Published, 1876), 12 page(s)
Sample
edited by Henry Cood Watson, 1816-1875, in American Art Journal, Vol. 1, no. 5, February 19, 1876 (New York, NY: Privately Published, 1876), 12 page(s)
Field of Study
Classical Music
Content Type
Periodical issue
Contributor
Henry Cood Watson, 1816-1875
Date Published / Released
1876-02-19, 1876
Publisher
Privately Published
Series
American Art Journal
×
American Art Journal, Vol. 1, no. 6, February 26, 1876
edited by Henry Cood Watson, 1816-1875, in American Art Journal, Vol. 1, no. 6, February 26, 1876 (New York, NY: Privately Published, 1876), 12 page(s)
Sample
edited by Henry Cood Watson, 1816-1875, in American Art Journal, Vol. 1, no. 6, February 26, 1876 (New York, NY: Privately Published, 1876), 12 page(s)
Field of Study
Classical Music
Content Type
Periodical issue
Contributor
Henry Cood Watson, 1816-1875
Date Published / Released
1876-02-26, 1876
Publisher
Privately Published
Series
American Art Journal
×